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Volume 14, issue 2, 2011
Special Issue: Circles and Circuits: Drama and Politics in the Midlands
Front Matter 
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Title Page 
 
 
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Front Matter 
 
 
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Contents 
 
 
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Helen Ostovich, Melinda Gough and Erin E. Kelly 
Editorial 
 
 
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Contributors 
 
 
Articles 
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Mary Polito and Amy Scott 
Introduction: Circles and Circuits: Drama and Politics in the Midlands 
 
 
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Kirsten Inglis and Boyda Johnstone 
‘The Pen lookes to be canoniz’d’: John Newdigate III, Author and Scribe 
 
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Siobhan C. Keenan 
Staging Roman History, Stuart Politics, and the Duke of Buckingham: The Example of The Emperor’s Favourite 
 
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Laura Estill 
Politics, Poetry, and Performance: The Miscellaneous Contents of Arbury Hall MS 414 
 
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Vimala C. Pasupathi 
Jockeying Jony: The Politics of Horse-Racing and Regional Identity in The Humorous Magistrate 
 
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Louis A. Knafla 
The Magistrate — and Humorous Magistrates — in Early Seventeenth-Century England 
 
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Mary Polito 
‘This rare Poetesse’: The Remains of Lady Jane Burdett 
 
 
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Amy Scott 
Events and Texts: The Prologues and Epilogues of the Arbury Plays 
 
 
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Margaret Jane Kidnie 
Trying to be Diplomatic: Editing The Humorous Magistrate 
 
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Owen Stockden 
John Newdigate III, Gilbert Sheldon, and MS A414 106r 
 
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Paul Faber 
Imported Popular Song in The Humorous Magistrate: ‘The Noble Acts of Arthur of the Round Table’ and ‘Come heare, Lady Muses’ 
 
End Matter 
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Early Theatre: Special Issue on Women and Performance: June 2012 
 
 
 
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