Volume 14, issue 2, 2011
Special Issue: Circles and Circuits: Drama and Politics in the Midlands
Front Matter
Articles
Mary Polito and Amy Scott
Introduction: Circles and Circuits: Drama and Politics in the Midlands
Kirsten Inglis and Boyda Johnstone
‘The Pen lookes to be canoniz’d’: John Newdigate III, Author and Scribe
Siobhan C. Keenan
Staging Roman History, Stuart Politics, and the Duke of Buckingham: The Example of The Emperor’s Favourite
Laura Estill
Politics, Poetry, and Performance: The Miscellaneous Contents of Arbury Hall MS 414
Vimala C. Pasupathi
Jockeying Jony: The Politics of Horse-Racing and Regional Identity in The Humorous Magistrate
Louis A. Knafla
The Magistrate — and Humorous Magistrates — in Early Seventeenth-Century England
Amy Scott
Events and Texts: The Prologues and Epilogues of the Arbury Plays
Margaret Jane Kidnie
Trying to be Diplomatic: Editing The Humorous Magistrate
Owen Stockden
John Newdigate III, Gilbert Sheldon, and MS A414 106r
Paul Faber
Imported Popular Song in The Humorous Magistrate: ‘The Noble Acts of Arthur of the Round Table’ and ‘Come heare, Lady Muses’
End Matter
Author not applicable
Early Theatre: Special Issue on Women and Performance: June 2012
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Issues List
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