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ISSN: 0315-0836 (print) 1920-941X (digital)
Publisher: University of Toronto Press
Volume 150, issue 1, 2012
Beatriz Pizano and Trevor Schwellnus
A Statement of Objectives (and a Conversation)
Pages 14-16
T.L. Cowan
GLITTERfesto: An Open Call in Trinity Formation for a Revolutionary Movement of Activist Performance Based on the Premise That Social Justice is Fabulous
Pages 17-21
Olivier Choinière and Meg Moran
Administration is Eating Away at Us
Pages 30-33
Marcus Youssef
On the Beauty of Our Perpetual Marginality, and Why it Might be Time for All of Us to Figure Out Our Position on Social Housing
Pages 34-35
Rebecca Singh
Space-ifesto 2012 (A Manifesto Toward Conditions and the Proliferation of Culture in a BETTER CANADA)
Pages 38-41
Nicholas Hanson
TYA = i Assessing the Fair Market Value of Young People
Pages 47-52
Jillian Keiley
Igniting Imaginations with Actor-manipulated Design
Pages 53-55
Yves Sioui Durand and Meg Moran
Ondinnok: the First Nations Theatre of Quebec
Pages 56-60
Kathryn Harvey
Tangible Archives of the Intangible, or Archiving the Ineluctable Modality of the Theatrical
Pages 61-63
Nina Arsenault
A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance)
Pages 64-69
Alex Lazaridis Ferguson
Dangers of the Theatrical–Dramaturgical Complex: A Call to Artists to Run Faster and Jump Higher on Their Own Two Feet
Pages 70-74
Naomi Campbell
A Few Rules, Some Platitudes, a Bit of Advice, and a Prayer for Producers of (Radical/Political/Meaningful) Theatre
Pages 80-83
Kristine Nutting
There is No Revolution, Televised or Otherwise
Pages 86-88
Jacob Wren
Manifesto for Confusion, Struggle, and Conflicted Feelings
Pages 89-90
Madeleine Blais-Dahlem
Why a Linguistic Minority Theatre is Essential: A Manifesto
Pages 91-93
Louis Patrick Leroux
Theatre Production, Experiential Learning, and Research–Creation in the Academy: An Anti-manifesto of Sorts
Pages 97-99
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